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Kayo O'Young is a self-taught Ontario artist who is recognized as one of Canada's finest porcelain potters. In the industry, he is known as "a potter's potter" and he serves as both teacher and inspiration to numerous potters. Kayo's work is the focus of numerous exhibits in prestigious museums, galleries, private and public collections worldwide. Each of Kayo's pieces are one-of-a-kind originals. He pays the utmost attention to detail, leaving no area of the work untouched by his genius. Each piece is hand-signed by the artist.
Burigude, originally from Inner Mongolia, now based in Toronto, has gained an international reputation for his minimal yet powerful work. The essential expression of his works are bold, simple and spontaneous marks, not depicting but releasing the sense of simplicity, comfort and straightforwardness. "As Chinese master Tao-Chi spoke of the single brushstroke as the origin of all existence, it is my lifetime discipline to achieve a state of integration between nature and humanity."
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Jennifer Harrison was born in Hamilton, Ontario and was raised in the neighbouring suburb of Burlington. As a self-taught painter, her career officially began somewhat accidentally, in 1999, when a fledgling gallery offered her space in a small group show. After ten years, she now best known for her scenes of old houses, crowded together under pale blue skies. Jennifer has attributed her obsession with houses to her long time interest in architecture. The simplicity of the buildings in her pieces allows her focus to remain on the esthetics of the piece through texture and colour. Harrison's trademark texture is achieved in several layers.
Having specialized in printmaking at Queen's University in Kingston, Ontario, artist Heather Kocsis found that this technical foundation led her to a very distinctive technique that she now incorporates into her work. Using reclaimed, weathered plywood to construct three dimensional representations of industrial buildings, Heather layers the pieces similarly to the way she would have constructed a plate to be rolled through a press.
“The layering involved in printmaking and the resulting impression of textures on the final print was what I appreciated in my studies at University, but I was looking for something more physical. With my current technique, I find the building process a catharsis and I strive to challenge myself with the problems of perspective to create a juxtaposition of strong dynamics within each piece.
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PURCHASE A DOUBLE HEART PERFUME BOTTLE for $240 (designed and created by Antonio Garcia) - and $60 goes to SACH.
Save a Child's Heart (SACH), an Israeli-based non-profit organization, is a world leader in providing urgent life saving pediatric cardiac surgery for children from developing countries including Rwanda, Kenya, Ethiopia and China.SACH saves lives by performing over 200 surgeries annually both in Israel and in partnering countries.SACH also trains medical personnel in developing countries with the goal of establishing centres of competence and future self sufficiency.
Presently there are more than 1000 children on their waiting list.$10,000 is required to save the life of a child – this amount covers transportation, hospitalization and room and board pre and post surgery. They keep their costs down because SACH's entire surgical, intensive care, and nursing staff substantially volunteer their services.
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Andrew paints with a purpose; to bring colour, light and imagination to an environment - to stir both soul and space. The application of layers upon layers of tones creates a subtle glowing translucency which pushes through the mottled paint to the surface of the work. To enhance a sense of tension in his work, he adds bold cuts and lines of paint as finishing touches in order to battle the calm serenity he creates. One can stand before his work and experience what is not often found in life - balance.
David's work is an attempt in balancing technique and concept. He is inspired by the technical cane work of Italian master glassblowers. His current work incorporates exotic materials such as silver and gold leaf. When developing his forms and surface patterns, David looks to the stars, attempting to imitate constellation and other naturally occurring patterns.
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Susan's new floral series, executed in pastel and oil stick, is a visual expression and embrace of the chaos and complexity of nature from which it is only possible to find order. She is able to achieve a near photorealistic effect in her deft portrayal of the interplay of light and shadow. These canvasses (perhaps not ironically) are her response to relocating to downtown Toronto with its sirens, building cranes and potted gardens.
Tanya's medium is encaustic painting, which was first used by the Egyptians, also known as hot wax painting, involves using heated beeswax to which coloured pigments are added. Using this medium allows Tanya to develop complex images in relief, similar to the way nature builds up and washes away what it creates.
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Robert strives to cross the boundaries of classical technique and truly push the limits of this material. With an eye for composition, Robert skillfully arranges pieces of dichroic glass, cane and filament to create sculptural and two dimensional works that are carefully balanced and visually pleasing. For the past 20 years he's been creating unique and highly desirable works that demonstrate his expertise and boundless creativity.
Alice strives to create new and interesting forms by juxtaposing found objects with familiar material such as paper or canvas. Some of the pieces are designed in a quilt-like pattern. The paper, copper, fabric and stones are an intriguing contrast to what one might expect of the age-old quilt pattern. The juxtaposition of the unique materials creates a lovely piece but raises intriguing questions, taking the viewer beyond the expected.
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the exhibition, click on image.
Tsunami Glassworks pushes the boundaries of contemporary art glass, providing innovative designs and quality craftsmanship. Owned and operated by husband and wife team Kriston Gene and Eva Milinkovic. Kriston works primarily in hot glass, engaging in both blown vessels and sculptural glass pieces.Eva is a glass artist who draws her inspiration from both science and nature.
"My oil paintings are in tune with the varying landscapes of Ontario, and share the whimsical approach for which Anotni Gaudi was well-known and admired. My intention is not to reproduce nature, but to create my own environment inspired by my experiences with natural landscapes and architecture."
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Kyle Stewart was born in 1974 in London, Ontario and raised in a rural farming community. Artistry is the foundation of his family: his mother is a painter and his father, a potter.
"I have gained a profound appreciation for nature and all its many shapes, colours and complexities. This bond with nature strengthened while in Spain visiting a friend. I adopted an intense admiration for the work of Spanish architect Antoni Gaudi. My oil paintings are in tune with the varying landscapes of Ontario, and share the whimsical approach for which Gaudi was well-known and admired. My intention is not to reproduce nature, but to create my own environment inspired by my experiences with natural landscapes and architecture."
Tsunami Glassworks pushes the boundaries of contemporary art glass, providing innovative designs and quality craftsmanship. Owned and operated by husband and wife team Kriston Gene and Eva Milinkovic, it is Windsor, Ontario's first and only glass blowing studio. Kriston Gene works primarily in hot glass, engaging in both blown vessels and sculptural glass pieces.Eva Milinkovic is a glass artist who draws her inspiration from both science and nature.Eva's reputation as a glass artist has been featured in magazines internationally, including recognition in Germany, England, the United States and Canada.Eva claims the motivation for her art is derived from "the honesty of architecture, the cleanliness of industrial design and the possibilities of science."
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The Art Gallery of Ontario (AGO) and other high-profile Toronto structures will be the focus of an eye-opening Art Exhibition. Paintings by Debra Archibald and ceramic sculptures by Jeff Margolin will provide a new perspective on how architecture connects art with structure.
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The Art Gallery of Ontario (AGO) and other high-profile Toronto structures will be the focus of an eye-opening Art Exhibition. Paintings by Debra Archibald and ceramic sculptures by Jeff Margolin will provide a new perspective on how architecture connects art with structure.
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A multi-sensual exhibition of seductively attractive scenic landscape and sculptural elements, rich in texture and cultural symbolism created using the 17th century Raku firing technique, that still pays homage to its Japanese Zen Buddhist origins. Experience an ancient medium, reborn with a contemporary concept.
Opening Reception: October 4 during Scotiabank nuit blanche (SOUTH Location: 5 PM to 7 AM)
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Jess Riva Cooper's ceramic figures boldly introduce themselves to the viewer, asserting their mood and intentions, while using a gestured style that displays movement and immediacy, with an economy of form and colour.
Marjolyn van der Hart's paintings are for the lovers of romance and beauty, and are reminiscent of an impressionist style.
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Jess Riva Cooper's ceramic figures boldly introduce themselves to the viewer, asserting their mood and intentions, while using a gestured style that displays movement and immediacy, with an economy of form and colour.
Marjolyn van der Hart 's paintings are for the lovers of romance and beauty, and are reminiscent of an impressionist style.
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the exhibition, click on image.
"My practice is as much about meditation as it is about painting. The enduring relevance of the marriage of art and spirit has been impressed upon me throughout my life, from visits to sacred sites around the world to a long immersion in scholarship on the subject. I've been using painting for nearly 20 years principally as a methodology for my own research on this relationship."
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"My practice is as much about meditation as it is about painting. The enduring relevance of the marriage of art and spirit has been impressed upon me throughout my life, from visits to sacred sites around the world to a long immersion in scholarship on the subject. I've been using painting for nearly 20 years principally as a methodology for my own research on this relationship."
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the exhibition, click on image.
This is the first solo exhibition for Ingrid. Her canvases bring together both abstract and familiar images. By incorporating mixed media she builds up layers of rich textured surfaces directly on the canvas followed layers of diffused acrylic pigments which enhance her intuitive visions. Her controlled use of deep hues enriches the sense of depth in the collection, drawing in the viewer.
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Her work is an expression of the creative and hidden passion in each one of us. The canvases bring together both abstract and representative images. By incorporating mixed media she builds layers of rich textured surfaces and colours which enhance her intuitive visions. A love of deep hues brings depth to her paintings and captivates the viewer.
Before discovering her primary passion for art, Ingrid's first creative outlet was fashion merchandising, which she enjoyed for several years.Ingrid has studied art at McGill University, Saidye Bronfman Centre, The AGO, Avenue Road Arts School, and The Koffler Gallery.
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In 1983 Betty began creating her signature mockingbirds and hasn't looked back since. Among Betty's many commissions are 'Oreo Bakers' for Nabisco who ordered a bakers dozen, and a caricature of John Candy which was presented to him by his limo driver.Boston's Tiffany and Co. boutique has featured Betty's Nutcracker dancers in their famous Christmas window displays.
Betty uses a variety of media and techniques to create her mockingbirds and is always exploring new and unusual materials. Wire and papier mache provide the basic shape while textiles, ribbon, feathers and other adornments are layered on to round out the piece. Vintage glass beads and unusual materials such as moose hair give Betty's mockingbirds a sense of heritage. Each one is an individual work of art.
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When working with mixed media pieces in glass and ceramics, it is inevitable that something will sustain a scratch or a damage. So what do we do? Or what do we do when we have 1 piece left from a great collection.
We have a sale, offering fabulous pieces at fabulous prices. This has become an exciting annual event, where clients wait at the door on January 2nd for the best finds. Come see for yourself.
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Self taught artist Tamara Baskin has 20 years experience working in several mediums. The past several years she has been employing the technique of fusing glass (which dates back 4000 years in the Middle East) where layers of glass are cut and then arranged to be fired in a kiln, creating a colourful and functional work of art. These pieces are kiln fired at 1400F (the temperature at which glass fuses) which causes the edges to round, giving a smooth, organic look. Dichroic glass is often incorporated to add an extra sparkle to work that already appears to glow from within.
Born and raised in Israel, Tamara's emphasis in her work is in creating elegant yet functional designs to celebrate Jewish life. Each piece is signed and dated by the artist.
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By assembling together the expected with the unexpected-painted canvas, delicately woven wire, copper, paper or a smooth white stone-an evocative piece arises, speaking to the viewer at many levels. Alice strives to create new and interesting forms by juxtaposing found objects with familiar material such as paper or canvas. The found objects carry subtle meaning simply because of their colour, shape and history. Placed together with other material, they form a new, visually compelling story.
Some of the pieces are designed in a quilt-like pattern. The paper, copper, fabric and stones are an intriguing contrast to what one might expect of the age-old quilt pattern. The juxtaposition of the unique materials creates a lovely piece but raises intriguing questions, taking the viewer beyond the expected.
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the exhibition, click on image.
Each of Rudy's wire sculptures starts from a sketch. Placing the sketch on the wall and using bright lights to cast a strong shadow, Rudy begins bending wire to match the shadow lines, carefully rendering his two dimensional line drawing as a three dimensional sculpture. Most of his subjects are inspired by movement, whether he is depicting athletes in mid stride or musicians in mid note. Many of his sculptures have kinetic elements as well. Just walking by his pieces creates a breeze that sets each piece in motion--a violinist bows, a guitarist plucks, and a tree bends and weaves in the wind.
Rudy maintains that "my sculpture is mainly composed of air. I use bits of wire only to define that part of air to which I want to draw my audience's attention...minimal visual clues to assist the mind to define space, or enclose a volume."
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"My interest in clay is the relationship between the human figure and the vessel, using painterly techniques for surface decoration.Since the beginning of my ceramic education I have been fascinated by the rich history of the figure in clay, from Pre-Columbian Moche portrait vessels to sixteenth-century Della Robbia figurines.Drawing on my enthusiasm for the simple shapes and intensify of the Fauvist painters, I use the surfaces of vessels as my sketchbook.These themes and colours are then taken as inspiration for my sculptural work.
Historically, ceramic figures were used to depict common images within a society, such as members of royalty.The images that I see prevalent in everyday life today are of people waiting in lines: huddled in the cold for a late bus, drooping in the airport next to the delayed flight sign, poised in bathing suits ready to jump into unknown depths.These are people connected by common actions but rarely interacting-the alienated individual, isolated in a crowd.
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Césan's work is a balance between form and freedom, as well as the conventional and eccentric, as she re-imagines, re-works, and remembers symbols and iconography. While her subjects are simple and familiar, her expression is original, bold, rhythmic, sculptural and spiritual . Césan will open a creative door behind an idea, and carefully allow it to explode onto the canvas.
"Everything we see moves through the lens of human consciousness. We never look up and see just the sun through our own eyes. We see the sun as much through the eyes of those who've come before us. I see my work as a process of truly sensual symbols and iconography. I try not to paint only the tree or the way I see the tree, but the convergence of the tree, the idea of the tree, and the human-ness of the tree -- how it has come through our collective cultural consciousness and been transformed by it. So it is not just about exploring the sensation of the sun, but about deconstructing the cultural convention of the sun and 'remembering' how we experience it in a truly sensual way -- learning how to re-imagine the sun- how it feels and tastes and really 'is'."
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Tsunami Glassworks' unique pieces are created using a combination of hot glass techniques and engraving. The work of husband and wife glass artists Eva Milinkovic and Kriston Gene is derived from organic chemistry and a desire to 'explore the poetry of scientific ideas.'
Kriston Gene is the son of the well known stained glass artist and owner of Kabuki Design and Art Glass Ltd., whose company emblem is the tsunami wave. The couple was thus inspired to take the name Tsunami Glassworks Inc. when they started their artisic partnership. Eva Milinkovic is a graduate of the glass blowing program at Sheridan College. Her work has been featured in numerous group exhibitions for Sheridan College and has shown in various galleries in North America as well as Germany.
Kyle Stewart was born in 1974 in London, Ontario and raised in a rural farming community. Artistry is the foundation of his family: his mother is a painter and his father, a potter.
"I have gained a profound appreciation for nature and all its many shapes, colours and complexities. This bond with nature strengthened while in Spain visiting a friend. I adopted an intense admiration for the work of Spanish architect Antoni Gaudi. My oil paintings are in tune with the varying landscapes of Ontario, and share the whimsical approach for which Gaudi was well-known and admired. My intention is not to reproduce nature, but to create my own environment inspired by my experiences with natural landscapes and architecture."
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the exhibition, click on image.
Sensuous forms and layers of brilliant colour are hallmarks of Alex Anagnostou's artful blown glass. A graduate of the reknowned Sheridan College Institute's Glass Program in 2004, Alex earned the Betty Kantor Silent Night Scholarship two years in a row.
The sensuous forms of Alex's works are often derived from natural objects found in the garden which she tends, and their relationship to the human body: fluid, organic forms both mimic the body and beg to be touched or handled.
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Boris Kramer was born in Hamilton, Ontario in 1969. Through his father Richard he learned blacksmithing techniques by osmosis: at home, art and metal were part of daily life. Richard, in turn, had been working with metal since the age of 14 and began his studio while in his 30's. In 1995, when Boris completed a degree in Fine Arts at McMaster University, he committed his artistic future to metal and joined his father at the forge.
As his influences he cites movements as diverse as Rayism and Impressionism and states that, for him, the forging process is the seeking of form in a balance that supports its own meaning. Although he shares with his father a fascination with human relationships, Boris has clearly developed his own distinct vision and his own unique style. Their studio has become well known for its rounded, semi-abstract human forms developed by Richard to express various human relationships and the positive aspects of life.
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After over 25 years of glass blowing experience, Kevin Gray is still in awe of the intrinsic beauty and fluidity of glass. Kevin began blowing in 1980, and established his own studio four years later. His skills have been honed within North America's most renowned schools: Sheridan College in Oakville, the Haystack Mountain School of Crafts in Maine, and the Pilchuck School of Glass in Washington State. It was at Pilchuck that Kevin was able to study with top glass artists Paul Stankard and Lino Tagliapietra.
Kevin's work has been featured in several exhibitions, most notably at the National Gallery of Canada and the Musee Beaux Arts in France. He is well known for his numerous large scale architectural installations for buildings such as Ottawa's Montfort Hospital. Kevin owns and operates a glass studio and Gallery in the historic village of Merrickville.
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The quirky and creative work by Toronto clock artist Roger Wood will be 10% off throughout January. Be sure to check out this limited offer - there's no time to waste!
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Artist Fay Miller's desire to create beautiful things with her own two hands motivated her to leave a graphic arts career to work with glass. Intrigued by the reflective sheen of glass, Fay's work tends to be surface oriented, decorative, and undisciplined. She delights in the random beauty of the glass shards and the joy and ritual they represent.
Fay has designed awards for Amnesty Interenational, The American Jewish Committee, The Shofar, The Klein Chaplaincy, United Jewish Fun, The Jewish Federation, and other charitable and corporate organizations. Special commissions include dining tables, side tables, a glass wall for Temple Nir Tamid, California in Palos Verdes, and an eternal light for Temple Sinai in Rancho Mirage, California.
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The fluidity of hot molten glass being formed from a fiery furnace and the fine balance between time and gravity: this is the magic that drew Rollin Karg away from his career as an industrial engineer.He gathered all of his diverse talents (photographer, potter, woodworker, and engineer) and became a full-time glass blower after several workshops at EmporiaStateUniversity in Kansas.
Rollin has built his most recent studio close to his family home in a beautiful park-like setting. The beauty of his natural surroundings serves as inspiration while still in stark contrast to the heat and spontaneity of glass blowing.Some of his family have also caught the glass blowing bug, and he has served as mentor to several.
Rollin is well-known for his skillful combination of dichroic glass, canework, and of course the many intricate layers and designs which create such visually stunning effects.His organic forms and the striking mix of patterned dichroic glass make Rollin's work unmistakable.From small pieces to large sculptures, the distinctive style of Rollin Karg is a joy to behold.
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Dana Roman specializes in hand painted wearable art. She lives in Canmore, Alberta and takes her inspiration from the Canadian Rockies in order to create one-of-a-kind silk garments and framed works. She strives to capture the spirit of the pristine mountain wilderness as she encounters it on her back country trips. The natural, soft texture of her choice medium shows off hand-painted patterns and plays with light. The possibilities that begin with Dana's unique pieces are as endless as the flow of the silk itself.
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Jane Hill's vases, platters, and teapots, appear to be drawings that have stepped off the page and come to life!You will notice the black outlines, the flat planes, and the positive and negative shapes first.The awareness of function comes second (like a punch line that can't help but make you smile).
Jane translates basic two-dimensional shapes into three-dimensions, with an interest in the form, gesture, contrast and compatibility.Her pottery has been featured on HGTV, in Canadian House & Home Magazine, Century Home Magazine, and Hamilton Magazine.She is also a frequent participant in Toronto's Annual Outdoor Art Exhibition and the Hamilton Region Art Council's "Designer Craft Exhibition".
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Kyle was born in 1974 in London, Ontario and raised in a rural farming community. Artistry is the foundation of his family: his mother is a painter and his father, a potter. Although he was never encouraged to follow in their footsteps, he quickly found himself sharpening his artistic abilities. Throughout his youth and university years, his work - whether realized through drawing or painting - consisted mainly of people and portraits. After spending four years in Thunder Bay, Ontario Kyle found a new inspiration for his subject matter.
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A Special Presentation of Artists creating sports-related works & Sports Celebrities creating artworks.
SPORTS CELEBRITES ARTWORKS will be Auctioned off with all proceeds going to SickKids Foundation. BIDDING CLOSES ON SUNDAY, JUNE 4, 2006.
Bids can be placed in Minimum Increments of $25.
Bids can be placed in three ways:
1. In person
2. Online via email-select "contact" icon
3. Via telephone toll free 1-877-542-3600 (Local 416-782-1696)
All bidders will receive weekly updates on the auction pieces (with provided email address). Also the pieces will be updated daily on the website as of 10am with the current highest BID.
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June Pham was born in the heart of Florida, where she pursued her education in the arts at the University of Central Florida.She later attended ValenciaCommunity College where she received a tuition grant and merit award for graphics.Now a resident of Canada, June's experience working with stained glass offered her the first glimpse of the magic created between light and glass.June enrolled in the Glass Program at the Sheridan College School of Craft and Design, and it was there that she found an unbelievable outlet for her creativity.
June blends colours with a painterly touch, allowing the transparency of the glass to develop subtle colour differences.The effect of layering is essential to the subtle atmosphere June tries to create with her work. The result is ethereal and calming, calling to mind the shifting colours of an aurora.As important colour is to June's work, form is an equally essential element.June takes most of her inspiration from nature and the human body which, she believes, speaks an unspoken language.
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Ann Kahn has been studying fine arts since the 1940's. Her journey in sculpture began in 1975 at the Centre Sculpture Club under the instruction of Irene Blogg, President of the Toronto Sculpture Society.